After having studied in Los Angeles, winning the Miss Asia Pageant and a successful modeling career, Aman’s film career began with a small role in O. P. Ralhan’s Hulchul in 1971. A second role in Hungama (1971), starring singer Kishore Kumar, was also not successful.
Dev Anand offered Zaheeda (his second heroine in Prem Pujari) the role of sister in Hare Rama Hare Krishna (1972). Not realizing the importance of this secondary role, Zaheeda wanted the lead female part (eventually played by Mumtaz), and she opted out. Aman was chosen as a last-minute replacement.
In Hare Rama Hare Krishna, Aman, aided by R. D. Burman’s song “Dum Maro Dum” (Take Another Toke), won over the heart’s of audience as Janice. She earned a Filmfare Best Supporting Actress Award and BFJA Award for Best Actress. Throughout the 1970s, the Dev-Zeenat pairing was seen in half a dozen films: Heera Panna (1973), Ishq Ishq Ishq (1974), Prem Shastra (1974), Warrant (1975), Darling Darling (1977) and Kalabaaz (1977). Of these, Warrant, was the biggest box-office success.
Her hip looks in “Yaadon Ki Baaraat’ (1973) as the girl carrying a guitar, singing ‘churaliya hai tumne jo dil ko’ (in Asha Bhonsle’s voice) has won her more popularity and the hearts of millions of fans.
She appeared on every Hindi film magazine’s cover during 1970s. In December 1974, Cine Blitz magazine was launched with Zeenat Aman on its cover, a testimony to her popularity at the time. However, she went on as the favourite cover girl of the popular magazine ‘Stardust’.
 The late 1970s
Zeenat Aman, in her career, found success with other banners such as Dev Anand, Raj Kapoor, Feroz Khan, Manoj Kumar, B.R. Chopra, Manmohan Desai, Nasir Hussain, Prakash Mehra, Raj Khosla and Shakti Samanta.
In 1978, she starred in Raj Kapoor’s massively publicised Satyam Shivam Sundaram , however, the film was heavely criticized. The subject ironically dealt with the notion of the soul being more attractive than the body, but Kapoor chose to showcase Aman’s sex-appeal. The actress was highly criticized for her exposure but somehow, later on the film had a great deal to do with Zeenat’s fame and the movie itself was distinguished as a work of art. She also earned a Filmfare nomination as Best Actress for this film.
Zeenat Aman’s entry into Hollywood also backfired when Krishna Shah’s Shalimar (1978), co-starring Dharmendra and international names like Rex Harrison and Sylvia Miles, proved to be a failure in the USA and in India. Zeenat possessed a convent schoolgirl accent and a penchant for revealing dresses. She matched Sophia Loren & Gina Lollobrigida in the battle of oomph at Shalimar’s launch. 1978 could have been a disaster year for her, because of the diminishing box office returns of Satyam Shivam Sundaram and Shalimar, but it was Don that came to the rescue and set her career soaring again. Ironically, her reasons for accepting the role in Don were altruistic, and she didn’t even take any remuneration for it, because she wanted to help the producer, Nariman Irani, who died midway filming. Her role of a Westernized revenge-seeking action heroine contributed to the film’s huge success, and her fans reconnected with her again. Westernised heroines like Parveen Babi and Tina Munim now followed in her footsteps, by the late 1970s. Aman continued to act in hits like Dharam Veer, Chhaila Babu and The Great Gambler.
By the beginning of the 1980s multi-starrers films became a trend, and Zeenat Aman was increasingly asked to just provide sex appeal in hero-oriented, despite success in so many films. In contrast to this trend was her performance as a rape victim seeking justice in B. R. Chopra’s Insaaf Ka Tarazu for which she received a Filmfare Best Actress nomination. This film was followed by success in the love triangle Qurbani, Ali Baba aur 40 Chor, Dostana and Lawaaris
Zeenat’s popularity in Russia was so great (after Alibaba) that she felt pressured into doing a supporting role in “Sohni Mahiwal.” The film was moderately successful but no credit went to Zeenat.
However Zeenat’s persona was such that newcomers were (and till today are) compared to her. Parveen Babi was called “The poor man’s Zeenat Aman”, Sarika was christened “Zeenat Aman 2” and Padmini Kolhapure was named “Baby Zeenat”.
Zeenat turned down some major banners and roles that ended up benefitting her rivals, such as Amar Akbar Anthony and Namak Halaal, both huge successes at the box office and both were then given to Parveen Babi.
Her last role as the female lead was in the movie Gawahi, a court room drama, in
Zeenat came back to the silver screen after a decade doing a cameo role in the film Bhopal Express, and she went on to do small roles in Boom ( Jaana… Let’s Fall in Love , Chaurahen Ugly Aur Pagli , Geeta in Paradise “Dunno Y Na Jaane Kyun. and “Chargesheet” with her discoverer Dev Anand.
In 2004, she appeared as Mrs. Robinson in the play The Graduate staged at St Andrew’s auditorium in Mumbai.
Aman had a TV show called “In Conversation with Zeenat” made by B4U TV, and also made an appearance along with Hema Malini in the popular show Koffee with Karan hosted by Karan Johar.
Zeenat received a Lifetime Achievement Award during the Zee Cine Awards function in 2008, as a recognition of her contribution to Hindi Cinema.
She also received An Outstanding Contribution to Indian Cinema award at IIFA awards 2010 held at Colombo, Sri Lanka. She dedicated this award to her mother.
Aman’s sultry persona was a contrast to many of the more conservative stars of the era. At a time when heroines were obedient wives and lovers on screen, Aman was drawn to more unconventional roles – she was cast as the opportunist who deserts her jobless lover for a millionaire (Roti Kapda Aur Makaan), the ambitious girl who considers having an abortion in order to pursue a career (Ajnabee), the happy hooker (Manoranjan), the disenchanted hippie (Hare Rama Hare Krishna), the girl who falls in love with her mother’s one-time lover (Prem Shastra), and a woman married to a caustic cripple but involved in an extramarital relationship (Dhund). She managed to balance these roles with acting in more conventional films such as Chori Mera Kaam, Chhaila Babu, Dostana and Lawaaris, which is considered by many to be a landmark in Indian Cinema. Encyclopedia Britannica’s “Encyclopedia of Hindi Cinema” wrote, “Zeenat Aman had a definite impact on the characterization of the heroine in Hindi films. With films such as Hare Rama Hare Krishna and Yaadon Ki Baraat, she fashioned the image of the youthful and westernized woman in Hindi cinema.
 Personal life
In 1985, she got married to Mazhar Khan and had two sons Azaan and Zahaan. Mazhar Khan died in September 1998 (renal failure).
Today, Aman lives with her two sons and makes many social appearances and film awards functions, she is rarely seen on screen